Damien Jurado – Maraqopa
Ah, the ‘difficult’ second album. You’ve been writing songs since you were teenager, perfecting them. They get released and suddenly you’ve got a hit on your hands. It’s so popular that the public and, more importantly, the record company are clamouring for more and quickly. You deliver. Frantically writing an album’s worth of new songs in a fraction of the time the previous one took. But it’s a dud, and for the next 40 years you end up playing the songs you wrote as a teenager to small groups of fans in the back rooms of pubs. For Damien Jurado, it’s the ‘difficult’ eleventh album. Moving away from the standard singer-songwriter format, the sound has slowly got fuller, the palette broader, the ambition bigger. On Maraqopa, the development is clear. ‘Nothing Is The News’ kicks things off with a total wig out. ‘Life Away From The Garden’ follows with echoing female harmonies. ‘Reel To Reel’ swirls. These are new sounds. They’re courtesy of a continuing collaboration with singer-turned producer, Richard Swift. They really work. There are songs that hark back to the two previous albums, ‘Caught In The Trees’ and ‘Saint Bartlett’, but Swift manages to build on them, keeping the vulnerability of Jurado’s voice and lyrics while adding a new dimension, a new orchestration. It works because it’s done subtly. Even the wig out. In the end, there’s a certain anti-climax. The final song ‘Mountains Still Asleep’ finishes the album quietly, even abruptly. But it’s a trick. It just leaves you waiting all the more impatiently for that ‘difficult’ twelfth album.