As part of The Felice Brothers, Simone inhabits the shadier part of town. Not quite the wrong side of the tracks, but close by. Guns are either present or not very far away. Simone and his brothers, Ian and James, get into situations their mother probably warned them against. There’s usually drama in the songs. It makes for interesting listening. Recording as The Duke and The King, Simone Felice is in a much more benign place. Topanga Canyon circa 1975. At home with bands such as Dawes, Maplewood, and the arch-revivalist, the magnificent Jonathan Wilson, the mood is laid back. Hazy. With a slightly acrid smell in the air. His mother probably warned him against plenty of things that are going on there as well, but, on balance, she’d probably be happier he’s there and not in the other place. Now, Simone Felice has released his first self-titled project. The sounds don’t stray too far from the canyons, but the cast of characters suggests that he’s been hooking up again with his brothers. On ‘New York Times’ he sings about a 35-year old from New Jersey who “with a thirty-thirty, found them girls rehearsing in a ballet school, And when he bust in and point his musket he turned the lilly white muslin into bright red bloom”. Other characters include Bobby Ray, a rapist; Dawn Brady and her son who, guess what, has a gun and you know he’s gonna use it; Hetti Blackbird, an Indian from South Dakota who steals a gold Range Rover; Sharon Tate and Charlie Manson, and we know what happens there; and, most frighteningly of all, Courtney Love. Simone imagines himself in a relationship with the lonely Ms Love. ‘Take a chance and come away with me’, he sings. ‘I’ll work construction’. Suffice to say, there’s no sign of a happy ending. Mr Felice, it’s your mother on the phone again.