Conor Oberst – Salutations
Conor Oberst has hit upon a great new idea. In October last year, he released Ruminations, a stripped-down set of new songs. Now, he’s released Salutations, a ramped-up collection of the same songs plus seven others. Whereas previously there was just himself on acoustic guitar or piano plus the occasional harmonica, here there’s a full band. The two albums complement each other really well. They’re not just the equivalent of a tired-old Deluxe edition. There are no outtakes. There are no demo versions, though the songs on Ruminations were always refreshingly immediate and raw. And there’s perhaps just one change of lyric, courtesy perhaps of the lawyers. On ‘Counting Sheep’, “[Someone] got killed walking to school, Hope it was slow, hope it was painful” becomes “Billy got killed walking to school, Hope it was quick, hope it was peaceful”. The result is two separate, but related albums, containing songs that are familiar yet transformed from one iteration to the next. In this manifestation, the band includes the great Jim Keltner on drums, plus sundry visitors, including M. Ward, Gillian Welch, and Jonathan Wilson. The most telling presence throughout, though, is that of Ian and James Felice. They bring their trademark controlled raggediness to the proceedings in a way that allows these versions to remain fundamentally true to the ‘difficult’ originals from last year. And the seven new songs are welcome too. In fact, you can almost hear some of them in full on Ruminations mode. ‘Overdue’ is perhaps the best example, “I’m in bed beside some jailbait, Meghan’s passed out on the staircase, Michael’s searching for a good vein, Tomorrow comes we’ll do the same thing”. Maybe Salutations was the idea all along. In which case, Ruminations is the treat. Or maybe it was only ever intended to be Ruminations. In that event, Salutations is the icing on the cake. Two different, but similar albums won’t work every time with every artist, but here it’s an inspired choice. And maybe there’s more. On the recent tour, there was another variation. Conor Oberst plus a solitary bass player. That sounded really good too. Time for the live album perhaps?