Manchester Orchestra – A Black Mile To The Surface
To say that A Black Mile To The Surface is about an old-time, gold-mining town is like saying that the Songs: Ohia classic, ‘Farewell Transmission’, is about a power cut. For sure, the fifth full-length release by Manchester Orchestra features references to Lead, South Dakota, a real-life, old-time, gold-mining town, and there are mentions of caves that collapse and of people searching for a way out. But, as with any song written by Andy Hull, the undisputed band leader and now sole-surviving member of the original line up, the literal is never meant to be taken literally. The allusions come thick and fast. And, as ever, it’s useful to have a dictionary nearby, “Forced myself to take a different name, Buried with metonymy”. On previous albums, the lyrical complexity has been offset by a certain musical simplicity. Cope, an ear-bleeding set of songs, was accompanied by Hope, featuring acoustic versions of the same. This time, though, things are slightly different. This is no live-in-the-studio release. Here, even the overdubs have overdubs. It could all get a little cluttered and crowded, but it doesn’t at all. The production is designed to accentuate the signature Andy Hull melody at the heart of the song. And the three-track suite, ‘The Alien’, ‘The Sunshine’, and ‘The Grocery’, stands out in particular. Andy Hull and Manchester Orchestra have always been a band worth rooting for and with A Black Mile To The Surface they’ve delivered their best album to date. Just don’t go thinking it’s a concept album about an old-time, gold-mining town. It’s probably that, but certainly much more.