Best of 2017- 4/4

There was a top 20 and then @danmumbleson released an album on 8 December. So, 20 became 21.

St Vincent – Masseduction

SV

The promo campaign did nothing for me, neither did the outfits, nor a couple of the über-pop tunes, but, fundamentally, behind all the post-modern irony and the major-label production values, this was an old-fashioned St Vincent album in all its glory.

Lana Del Rey – Lust For Life

LdR

Lana Del Rey is one of my favourite artists. A woman who has beaten corporate musicality and has been able to make the music she wants. Respect. Don’t tell anyone, though, but without the collaborations this would have been an even better album.

Ryan Adams – The Prisoner

Ryanadamsprisoner

Maybe it was the Flying V, but from the very first chords Prisoner hit the spot.

Jason Isbell and The 400 Unit – The Nashville Sound

JI

My gig of the year. But Jason Isbell didn’t just deliver a fantastic show in 2017. He also delivered a top-class album with songs about beating alcohol, managing anxiety, and living in Trump’s America. All the more remarkable when you think that you’d need the first to manage the second caused by the third.

Manchester Orchestra – A Black Mile To The Surface

220px-Manchester_Orchestra_-_A_Black_Mile_to_the_Surface

Truly a mad-cap project. But an album that at a certain point of the year I simply could not stop playing. And it had the effect that all great albums have. It made me reacquaint myself with the back catalogue. Revisiting Simple Math was an almost equal pleasure.

Holy Holy – Paint

Holy+Holy+PAINT

Holy Holy delivered their ‘difficult’ sophomore album with great panache. Better even than their debut, Paint was full of good old fashioned rock songs (but for a modern age).

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