There was a top 20 and then @danmumbleson released an album on 8 December. So, 20 became 21.

St Vincent – Masseduction


The promo campaign did nothing for me, neither did the outfits, nor a couple of the über-pop tunes, but, fundamentally, behind all the post-modern irony and the major-label production values, this was an old-fashioned St Vincent album in all its glory.

Lana Del Rey – Lust For Life


Lana Del Rey is one of my favourite artists. A woman who has beaten corporate musicality and has been able to make the music she wants. Respect. Don’t tell anyone, though, but without the collaborations this would have been an even better album.

Ryan Adams – The Prisoner


Maybe it was the Flying V, but from the very first chords Prisoner hit the spot.

Jason Isbell and The 400 Unit – The Nashville Sound


My gig of the year. But Jason Isbell didn’t just deliver a fantastic show in 2017. He also delivered a top-class album with songs about beating alcohol, managing anxiety, and living in Trump’s America. All the more remarkable when you think that you’d need the first to manage the second caused by the third.

Manchester Orchestra – A Black Mile To The Surface


Truly a mad-cap project. But an album that at a certain point of the year I simply could not stop playing. And it had the effect that all great albums have. It made me reacquaint myself with the back catalogue. Revisiting Simple Math was an almost equal pleasure.

Holy Holy – Paint


Holy Holy delivered their ‘difficult’ sophomore album with great panache. Better even than their debut, Paint was full of good old fashioned rock songs (but for a modern age).

Holy Holy – Paint


Fan of early 1980s Rush, but don’t like Ayn Rand? Then Holy Holy are for you. Paint is their sophomore album, building on an already sublime debut, When The Storms Would Come. With hints not only of Rush (‘True Lovers’), but also The Police and Foreigner, Paint captures an era when rock ruled supreme. But it’s no fake copy. No paint-by-numbers, if you will. The colours are fresh. The experience is vivid. It’s full of inspired touches. The break out at the end of ‘Willow Tree’. The riff on ‘Darwinism’. The bass on ‘Shadow’. With Paint, Holy Holy have delivered a modern-day masterpiece. And one thing’s for sure, their work will only increase in value.

Here’s my best-of-the-year Pt 2: The Antipodes

Once upon a time Liverpool, or San Francisco, or Seattle was at the centre of all that was good musically. Now, everything has gone south. Australia and New Zealand are currently where it’s at. So much so that they’re worthy of an end-of-year list all to themselves.

The Phoenix Foundation – Give Up Your Dreams


This was a band that sounded like they were enjoying themselves. Loaded with irony, it didn’t come much better than ‘Bob Lennon John Dylan’. On the Pono version you can even hear a reference to Han Solo. How topical.

Holy Holy – When the Storms Would Come


An instant classic. The four songs at the heart of the album – ‘A Heroine’, ‘History’, ‘If I Were You’, and ‘You Cannot Call …’ – should be played on repeat to anyone who thinks that guitar-based rock is a thing of the past. Au contraire, Holy Holy are a band of the future.

Nadia Reid – Listen to Formation, Look for the Signs

Nadia for site

There’s an unassuming quality to Nadia Reid that belies the confidence of the songs on her recent album. Moving through various styles, the constant presence is her voice, which is clear and lovely.

Lost Ragas – Trans Atlantic Highway


Packed with slightly mournful, but beautifully played songs, Trans Atlantic Highway was a revelation. Think of The Byrds relocating to modern-day East Nashville. Well, it’s even better than that.

Courtney Barnett – Sometimes I Sit and Think, and Sometimes I Just Sit


What best-of-2015 list does not feature Slacker Barnett, you may ask? Well, there’s a good reason why. Great hooks and erudite observations of everyday and not-so-everyday life from the clever one who always sits at the back of the class. And all delivered in a refreshingly local accent.

Holy Holy are almost unsearchable. You can imagine what turns up. Perhaps it’s no surprise then that their latest single slipped through the net. It shouldn’t have. It’s called ‘You Cannot Call for Love Like a Dog’. Believe me, the track is better than the title. It follows on really nicely from their great EP The Pacific, which was reviewed ecstatically here. Here’s the video from the Tube that is You.

The bearded ones are readying for a short tour of Europe, but not Ireland unfortunately. So, in the meantime here’s a really nice live-in-the-studio version of another great track ‘History’. When will that album ever be out?


Holy Holy – The Pacific EP


Holy Holy released one of the best songs of 2013. Now, they’ve released one of the best EPs of 2014. The bad news? At the moment, it’s only available in their home land, Australia! Last year, ‘Impossible Like You’ came out of nowhere. Improbably infectious, it built up from a simple guitar line to reach a sweeping chorus and a great guitar break, finally winding down to end where it began. It was like The Fleet Foxes with balls. Earlier this year, they released another single, ‘House of Cards’. Full of passion. Yet another great chorus. And with enough twists and turns in the narrative that you’d swear Kevin Spacey was about to pop up at any time. Finally, they’ve released an EP, but with just two new songs. What does it reveal? Well, ‘Slow Melody’ has a title so misleading it’s worthy of litigation. After the breathtaking energy of the previous releases, this one sounds like they’re about to channel their inner Kevin Johnson. Instead, when the keyboards kick-in mid-song, we’re heading towards arms-raised, crowd-swaying, stadium-headlining territory. Not so much The Fleet Foxes with or without balls. More like Kasabian or The Kaiser Chiefs. And to round things off, ‘Cincinnati’ keeps up the mood. Another great hook. Another great song. Soon, Holy Holy will be everybody’s favourite new band. In the meantime, you just have to pick up this EP. Emigrate to Australia if you have to, so you can download it from the iTunes store. Use your favourite VPN and buy it from Hell, even order a hard copy. Though by the time it arrives, Holy Holy will be headlining a stadium near you.

AAA Backstage review

Earthboy Press interview

Music Feeds interview