Part 2 of the year’s best albums. We’re counting down in reverse order.

First Aid Kit – Stay Gold

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The Söderberg sisters have voices made in heaven. But is everything tickety-boo in their Swedish paradise on earth? Last time, the Lion Roared. This time, it expressed more than a little self doubt. Perhaps it was the influence of that Conor Oberst chap. More of him next time.

Miranda Lambert – Platinum

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The songs were no more spontaneous than the cover photo. But the lyrics were genuinely amusing at times. And there was a greater confidence to the song-writing than before. Yes, it’s cheesy. Yes, it’s artificial. It’s the CMA’s best album of the year for goodness sake. But don’t hold that against it. Too much.

The Delines – Colfax

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The Delines did not win anything at the CMAs. Late night stories of relationships gone bad long ago. Jobs that are barely worth the name. And all told against the background of a mournful guitar. This was Willy Vlautin in a different incarnation, but still at the top of his game.

Rosanne Cash – The River & The Thread

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Rosanne Cash took us on a very personal journey. Memories tinged with all sorts of emotions. But the highlight was the playing, which was, unsurprisingly, top notch. And ‘A Feather’s Not A Bird’ was one of the year’s great songs.

Field Report – Marigolden

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Field Report tell serious stories. And they tell them very slowly and deliberately. All of which should be a real downer. But no. Chris Porterfield and Co. wrap the stories up in lovely melodies. And this time, they added a little hint of electronic jiggery-pokery to their more traditional Americana.